I thought I'd start an A-Z of landscape painting as a way of talking more about what it means to me and how I approach it. This will by no means be a comprehensive A-Z, but more of a window into my art practice. Landscape and nature makes up about 95% of my studio and on location work. It is a subject with which I have a great affinity, and this three part blog will be my personal take on an A-Z.

Following on from last month’s post about the equipment I used for sketching on location, I’m turning to something less tangible but just as important: how I find inspiration when I’m out sketching, and how I make the most of what’s in front of me. I'm sharing this give some insight into how I gather ideas for my paintings, but also, to dispel any hesitation you may have to try it for yourself.

Sketching is about capturing the essence of something. They can be done quickly and with relatively little equipment. Completed or partially completed sketches can be taken home and developed further in the studio, used for reference for future works, or just be kept as a sketch journal. Words can be added to, as well as notes on colours or anything else that sparks interest.